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Stanley Kubrick’s 2001: A Space Odyssey is widely recognized as a cult classic. Despite mixed critical reception, the dark and difficult movie mesmerized audiences at the time of its initial screening in 1968 and went on to become one the highest grossing films of the decade.
In 2001 and Counting, renowned anthropologist Bruce Kapferer revisits 2001: A Space Odyssey, making a compelling case for its continued cultural relevance. While the film’s earliest audiences considered it to be a critical examination of European and American realities at the height of the Cold War, Kapferer shows that Kubrick’s masterwork speaks equally well to concerns of the contemporary world, including the Iraq War, the 2008 financial crisis, and the material and political effects of neoliberalism. Kapferer explores Kubrick’s central theme—the ever-changing relationship between humanity and technology—both with regard to current events and through the lens of Nietzsche’s Thus Spoke Zarathustra and the mythical concept of the eternal return.
A thought-provoking exploration of the cultural power of cinema, this volume by one of anthropology’s most insightful and imaginative thinkers will appeal to anthropologists and cineastes alike.
Brazilian anthropologist Manuela Carneiro da Cunha examines here the complex meaning—and anthropological implications—of the word “culture” for indigenous peoples. Caneiro da Cunha explores the contradictions inherent in the interface between Western and traditional understandings of knowledge and intellectual property rights.
Distinguishing culture from “culture,” the latter being a reflexive awareness of one’s culture, Carneiro da Cunha then poses questions such as: What are the cognitive and pragmatic consequences when “culture” and culture coexist? She shows how the word “culture,” as used in the anthropological sense, is employed by indigenous people to distinguish the different interpretations and avoid contradictions. “Culture” and Culture offers a concise and innovative anthropological study of a crucial issue faced by indigenous peoples the world over.
What can you say after you say that the world—or at least human life on it—looks like it’s nearing its end? How about starting with wonder at the possibility that dialogue and subjectivity—the bases of human language—are possible now? In Time and Human Language Now two lifelong friends share, in the form of a long-distance e-mail correspondence, a conversation about the relation between cosmos and consciousness, and about the possibility of being responsibly open toward the future without either despair or unreasoning hope. The urgency that underlies this dialogue is the conviction that there can only be reason for hope if the members of homo sapiens can learn—soon—how vital and astonishing is the phenomenon of shared human presence through language.
Why do we understand media the way we do? In their simplest forms, media are means of communication and instruments of human creativity. But on another level, media are powerful technologies that govern how we think and act in the world, and they can even take on a sinister character, with media conglomerates working in opposition to freedom of information. Dominic Boyer grapples with these complexities in Understanding Media, where he questions what our different ways of engaging media actually tell us about media, how we relate to information, and about ourselves.
Understanding Media explores, in a serious yet entertaining way, our common habits of thinking about the presence and significance of media in our lives. Offering analysis of the philosophical and social foundations of contemporary media theory as well as everyday strategies of knowing media, it addresses the advantages and limitations of different ways of understanding media. Finally, Boyer reflects on how we can know media better than we do.
Thomas Frank has been sending wake-up calls to just about everyone within reach over the past decade, in venues from The Village Voice to Harper’s. His takes on labor politics, advertising, the virtues of the Midwest, and how un-cool you really are have won him a wide audience, and in this piece, Frank gives us a reading of cultural studies—viewed by some as an important new perspective in the academy, but by others as an unwieldy theoretical fad.