Alan Tansman Alan Tansman

Reading Behind Bars

Reading Behind Bars is a meditation on what reading, thinking, and talking look like under conditions of radical constraint — and on how literature can function as a medium of lived experience rather than mere intellectual abstraction. 

Drawing on the experience of teaching at Mt. Tamalpais College at the San Quentin Correctional Facility in Marin County, California, literary scholar Alan Tansman traces the extraordinary seriousness with which incarcerated students engage literary works form many times and places: the Japanese novelist Natsume Sōseki's Kokoro, Toni Morrison's The Bluest Eye, Jorge Luis Borges's "Funes the Memorious," and Jean Améry's "On Torture." The heart of the book lies not in these canonical works themselves but in the students' responses — writing and discussion that is open and intense in a way that university classrooms rarely are. These students are not merely powerful witnesses to suffering; they are careful, committed readers. Their interpretations are alert to ethical stakes and formal detail, shaped by firsthand knowledge of the struggle with living in a painful present, haunted by a hard look toward a future open to their own making. What kind of refuge can literature offer from pain, guilt, and the weight of the past? Can that refuge also offer a guide for living behind bars, and beyond?

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David Henkin David Henkin

Rooting Interests: Party Politics and Spectator Sports

Americans have spoken of candidates “running” for office and of elections as “races” for so long that we no longer hear the sports metaphor. In Rooting Interests, cultural historian David Henkin takes the metaphor seriously. Since the 1830s, when American elections became mass spectacles staged before an unprecedented electorate, voting and rooting have grown up together, alongside horse racing, prizefighting, and baseball. Fans and voters alike know their single preference will almost never decide the outcome, yet they bet, brag, wear the colors, bask in reflected glory, and blame the coach. From Van Buren’s invention of the mass party through Progressive reform, women’s suffrage, and today’s red-and-blue map, Henkin traces a durable structure of partisan feeling that binds strangers to party labels across generations. If voters now behave more like fans, it is not because politics has been trivialized into sport, but because they care more and switch sides less.

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Hal Foster Hal Foster

Modernism, An Incomplete Project

Contemporary art and politics have undergone many unexpected shifts. Long a strategy of the Left, transgression has become a weapon of the Right, and staples of critical theory, such as the critique of the subject, are transformed in the age of artificial intelligence. Art historian and critic Hal Foster reflects on these and other developments, looking back to modernist culture to see what can be reclaimed for present purposes. In particular, Modernism, An Incomplete Project considers how the constructive, even utopian dimension of modernist art might be remotivated in the face of ecological catastrophe, and how this move might free us from a melancholic fixation on a past viewed only as traumatic.

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